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TIPS
AND TECHNIQUES:
BOOK REVIEW
by Walter Green
Go Back
1000
GLASS BEADS
Innovation
& Imagination in Contemporary Glass Beadmaking
Lark
Books from Sterling Publishing, NY
ISBN
1-57990-458-0 $24.95

I
have always loved glass as an art medium so in my “middle age” years I
decided to act on the desire to create with glass.
After weeks of books, magazines, and Internet searching I discovered that
setting up a “hot glass shop” with furnaces and all the needed equipment was
a very expensive project. Of
course, you need a place that is not code or ordinance restricted to install
such a shop in the first place.
After
expressing my disappointment to several glass artists one of them suggested I
start with lampworking (using torches instead of furnaces) and work my way up to
creating large glass pieces. Since
I knew nothing about making glass beads with a torch, he pointed me toward some
good books and I started researching all over again.
I
discovered that glass bead making is a much more affordable hobby and can be
done from a properly equipped home or workshop.
Somewhere between my ignorance and my ego I had the idea I would start
out melting glass on little steel rods to learn how glass behaved and work my
way up to “real” glass art. Despite
having an “artistic sense” and a good eye for color, I had no idea of the
potential of glass beads as an art form.
1000
Glass Beads from Lark Books (Sterling Publishing, NY) is the book that could
have brought me out of my ignorance back then.
This beautiful publication is 400 pages of full color “eye candy”.
But more than that, it is a reference manual for glass bead makers.
Each
photograph includes detailed information about the materials used to make the
bead as well as some comments from the artist.
My “middle age” eyes did not like the gray type used for the
artists’ comments, but I did like the fold over flap on the front and back
covers for a built-in bookmark and the bright white, heavy paper (this is a high
quality paperback).
1000
Glass Beads represents 312 artists from around the world.
These are not all the great glass bead artists, but, to be fair, it would
be nearly impossible to find and include every talented glass bead artist in the
world in one book. Not all artists
have Internet sites, actively sell their work, or choose to be involved with
groups of other artists. I have
been fortunate to study under some of these artists and I hope to study under
many more. Their love of glass is
apparent in their classes as well as on the pages of 1000 Glass Beads.
The
range of art in this book is both daunting and inspiring.
Some of these works of art will simply stun you with their complexity,
but most of them will inspire you to reach for higher levels of expression.
This book will certainly dispel any notion you may have that beads are
“light” art or that you might quickly “outgrow” the potential of the
glass bead as an art medium. The
limit will not be found in the glass. It
will be found in your potential for creativity.
Although
not a tutorial, 1000 Glass Beads includes examples of many techniques in a range
of complexity. It is left to the
reader to review the materials used and determine what specific methods could be
used to create something similar. Since
artists often learn by trying to copy the work of masters, this book offers
hundreds of opportunities. Where
the artist grows after acquiring some skill is dependent upon their own
“gift”. There are also samples
of fused glasswork, but the real bonus is the jewelry.
There are many examples of beads made into finished jewelry pieces that
also inspire you to make beautiful necklaces and bracelets from your beads.
1000
Glass Beads by Valerie Van Arsdale Shrader should be in every glass bead
maker’s library. More than any book on glass bead making that I have seen, it
will show you where you are as a glass artist.
It is exciting to see where dedicated and talented glass bead artists
have gone, but it also motivates me to try to create something that has never
been seen before in a glass bead.
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