TIPS AND TECHNIQUES:
ISGB 2009 GATHERING TIPS
All Sorts of Helpful Information from Suzanne Patterson’s notes of the Gathering - in no certain order!
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· Work Double Helix new color Ekho very cool to get iridescent sparkle · Japanese torches work best with the softer glasses like Satake · The Flow is spotlighting female beaders and is begging for submissions. Deadline is September 1st and you will get a link to your website from their website if you are in the spotlight article · Keep recipe cards for each bead you make –likes and dislikes, works and doesn’t work · Use a brand new mandrel 3/16” for every 3 inch or longer bead. Prevents bead breakage from bent mandrels · Use a wet dinner knife to smooth glass · When encasing, if you tap your bead against your torch end and you get a good clink, it’s ready to be encased. Otherwise it is too soft · Keep snips of color combinations that work AND don’t work in small zip bags (attach to recipe cards?) · Too much inventory at your bead table can be overwhelming to buyers · Beads displayed in clear Martini glasses look really good · Use Elmer’s glue on the face of CZ’s and pick up and place with a mandrel end. Glue burns off before encasing · Delphi sells threaded sleeves for drawer knobs · An old knitting frame can be used to create mesh cables with 30+ gauge wire. Resulting cable can be drawn thru smaller holes drilled in a wood board to make a smaller resulting cable. Rubber or leather can be used inside mesh for stability · You CAN work boro on a minor burner! · You cannot batch anneal inside-out beads because each color has slightly different annealing temps · When adding murrinis, heat the bead around the murrini and let it sink in · Brad Pearson uses TAG’s Oxblood instead of black and Pearl Gray instead of white because they don’t bleed · If you misplace a stringer or dot, cool it with your tweezers then knock it off with a knife blade
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